Photography

Installation view, Compton Verney, UK Pattern Recognition 2021 - 2022 Hahnemuhle archival photorag paper 29-part photowork A passport is a portal to the world, but mobility is not equal for all. In this conceptual, digital collage-based body of work Reena addresses the ever-shifting politics of access and inequity in the form of international travel  authorisations. While national bordersRead More »Pattern Recognition, 2022

Installation view, Chemould Prescott Road, Mumbai Shifting Ecotones – 2 2019 electric wire, graphite, pigmented ink print on Hahnemuhle photorag paper 64 x 19.5 in. I 163 x 50 cm. (each) Shifting Ecotones expands the artist’s meditation on borders by examining lines drawn in and on water, from rivers that form contested national boundaries toRead More »Shifting Ecotones – 2, 2019

Installation view, Chemould Prescott Road, Mumbai Saline Notations (Echoes) 2015 digital print on Hahnemuhle photorag archival paper + DIBOND 42 x 29 in. l 107 x 74 cm. each (set of 6) Saline Notations (Echoes) are a series of looped texts inscribed in salt that reflect on memory and all that is lost in theRead More »Saline Notations (Echoes), 2015

Saline Notations 2015 digital prints on Hahnemuhle Photorag archival paper 28 x 28 in. I 71 x 71 cm. each (set of 4 prints) edition 5 + AP Reena Kallat, has been working with salt in various contexts, occasionally within her sculptural practice as metaphor for sustenance but also to write transient texts on theRead More »Saline Notations, 2015

Saline Notations 2014 digital prints on Hahnemuhle Photorag archival paper 23 x 33 in. l 58 x 84 cm each The ongoing series of text based works in salt have an element of surrender, left to be washed by the rush of the tide, be blown away by the strength of a draft, or simplyRead More »Saline Notations, 2014

Untitled 2014 digital prints on Hahnemulhe Photorag archival paper 12 x 18 in. l 30 x 46 cm. (each) edition 5+AP Who is to say what we must remember and how? For all the stone plaques, the iron gates, the stately monoliths and mortar minarets, Built, laboriously, to remind us of the labors of history,Read More »Untitled, 2014

Installation view, Centro Cultural Banco do Brasil, Rio De Janeiro Memoria Crematoria (dates of war) 2011 digital print on canvas 12 x 60 in. l 30 x 153 cm. each (24 prints) details details

Installation view , Walsh Gallery, Chicago Woven Veins 2010 digital prints on Hahnemeuhle ultra smooth photo rag paper (set of 5) Acknowledgement: Digital imaging: Photokina