reenakallat

I am the river, the river is me, 2024

by reenakallat
January 16, 2025January 20, 2025

Installation view, Nature Morte Dhan Mill, New Delhi I am the river, the river is me 2024 Acrylic on linen 20 x 30 in, 50.8 x 76.2 cm each (8 canvases) 11 x 15 in, 28 x 38 cm each (3 prints) 1 pot 14 x 12 in, 35.5 x 30cm River gauge 118 xRead More »

Requiem (The Last Call), 2024

by reenakallat
January 17, 2025January 20, 2025

Installation view, Nature Morte Dhan Mill, New Delhi Requiem (The Last Call) 2024 Lacquered mild steel sculpture: 83 x 192 x 79 in, 211 x 488 x 201 cm (h x l x b) Alloy steel bird cage: 30 x 18 in, 76.2 x 45.7 cm Prints: 20 x 15 in, 50.8 x 38.1 cmRead More »

Aqua Atlas, 2023–2024

by reenakallat
January 17, 2025January 17, 2025

Installation view, Nature Morte Dhan Mill, New Delhi Aqua Atlas 2023–2024 Acrylic on Linen 18 x 18 x 1 in l 46 x 46 x 2 cm (each) 1 Print 18 x 18 in.l 46 x 46 cm Highlighting global inequities in the distribution and use of scarce resources like freshwater, Aqua Atlas comprises smallRead More »

Fluid Geographies, 2023

by reenakallat
December 23, 2023January 2, 2024

Installation view, Lunuganga Southern Garden, Sri Lanka Fluid Geographies 2023 Granite stones and steel mesh 70 m x 20 m I 230 ft. x 65 ft This large-scale outdoor installation, which winds through the gardens of Lunuganga carrying a sense of movement across space, draws attention to man-made incisions on land. It evokes reflections uponRead More »

Pattern Recognition, 2023

by reenakallat
December 23, 2023February 26, 2024

Pattern Recognition 2023 Photo credits: Yves Salmon and Patrick Bethell, Commissioned by Artichoke: The Gallery, Season 3, 2023

Water Footprint, 2023

by reenakallat
December 23, 2023May 22, 2024

Water Footprint 2023 acrylic on linen 42 x 60 in. l 106 x 152 cm. Reena Kallat’s painting, Water Footprint explores critical geographies by emphasizing humanity’s potential to transform the environment. At first glance, Kallat’s artwork features a map of an uncanny world where the proportions of countries depicted betray standard expectations. While cartography hasRead More »

Pattern Recognition, 2023

by reenakallat
September 13, 2023December 16, 2024

Installation view, Chemould Prescott Road, Mumbai Pattern Recognition 2023 72 part work, Electric wires and metal 120 x 66 in. l 305 x 168 cm (diptych) A passport is a portal to the world, but mobility is not equal for all. ‘Pattern Recognition’ draws attention to the ever-shifting, yet perpetually unequal politics of worldwide accessRead More »

Woven Chronicle, 2022

by reenakallat
September 13, 2023January 8, 2025

Installation view, Kunstmuseum Thun, Switzerland Woven Chronicle 2022 circuit boards, speakers, electric wires and fittings single channel audio (10 min.) 132 x 528 x 12 in. I 335 x 1341 x 30 cm. Woven Chronicle is a collection of wall drawings that Kallat has been realising since 2011 with diverse content. This iteration shows theRead More »

River Boundaries Break the Sound of Silence Between Them, 2022

by reenakallat
September 14, 2023August 7, 2024

Installation view, Kunstmuseum Thun, Switzerland; Photo credit: David Aebi River Boundaries Break the Sound of Silence Between Them 2022 Electric wires and metal 53 x 15 x 1.5 in. / 50 x 36 x 1.5 in. / 53 x 23 x 1.5 in. / 53 x 13 x 1.5 in. / 52 x 18 x 1.5 in.Read More »

Pattern Recognition, 2022

by reenakallat
February 18, 2023March 9, 2024

Installation view, Compton Verney, UK Pattern Recognition 2021 - 2022 Hahnemuhle archival photorag paper 29-part photowork A passport is a portal to the world, but mobility is not equal for all. In this conceptual, digital collage-based body of work Reena addresses the ever-shifting politics of access and inequity in the form of international travel authorisations. While national bordersRead More »