reenakallat

Woven Chronicle, 2016

Installation view, Museum of Modern Art, New York Woven Chronicle 2011/2016 Electric wires, circuit boards, speakers and fittings; single channel audio (10 min.) 127 x 570 x 12 in. l 322 x 1447 x 30 cm. view timelapse video Treating electric wires as if they were yarn, Kallat created a woven map tracing the routesRead More »Woven Chronicle, 2016

Hyphenated Lives, 2016

Installation view, Kiswire Suyeong Factory, 10th Busan Biennale, Korea Hyphenated Lives 2016 gouache, charcoal, ink and electric wire on handmade paper, black boards, wooden vitrines, unfired clay, postcard Hyphenated Lives is a re-imagining of fantastical mutations within the natural world, where new hybridized species of birds and animals, trees and flowers otherwise foregrounded as nationalRead More »Hyphenated Lives, 2016

Saline Notations (fluid signs), 2016-2017

Installation view, Norrtalje Museum + Konsthall, Sweden Saline Notations (fluid signs - 2) 2017 digital print on archival paper + DIBOND, rock salt chunks, stamp from the Postmuseum, Stockholm and related material from the Nobel Museum archives black painted MDF boards, salt, clipboards, paper Reena Kallat's installation is centred on the photograph of a beach inscribed with the poemRead More »Saline Notations (fluid signs), 2016-2017

Hyphenated Lives, 2015

Installation view, Chemould Prescott Road, Mumbai Hyphenated Lives 2015 gouache, charcoal, ink and electric wire on handmade paper, black boards, wooden vitrines, unfired clay, postcards. Hyphenated Lives, the suite of works from which the exhibition derives its title, envision fantastical mutations within the natural world. Reena Kallat invents new hybridized species of birds and animals,Read More »Hyphenated Lives, 2015

White Birds, 2015

Installation view, Chemould Prescott Road, Mumbai White Birds Painting: gouache, charcoal, electric wire on deckle – edge handmade paper 37 x 52 in. l 94 x 132 cm. Sculpture: painted FRP 18 x 30 x 30 in. l 46 x 76 x 76 cm. In White Birds, Reena Kallat foregrounds the paranoia that prevails aroundRead More »White Birds, 2015

Pause Persist, 2015

Pause Persist 2015 single channel video projection 7 mins 11 secs The Video ‘Pause Persist’ is set within the game of Noughts and Crosses, (also referred to as X and 0) meant to be played between two players who take turns, marking the spaces in a 3 × 3 grid. Games, like conversations involve turn-taking, and here it slowlyRead More »Pause Persist, 2015

Saline Notations (Echoes), 2015

Installation view, Chemould Prescott Road, Mumbai Saline Notations (Echoes) 2015 digital print on Hahnemuhle photorag archival paper + DIBOND 42 x 29 in. l 107 x 74 cm. each (set of 6) Saline Notations (Echoes) are a series of looped texts inscribed in salt that reflect on memory and all that is lost in theRead More »Saline Notations (Echoes), 2015

Woven Chronicle, 2015

Installation view, Vancouver Art Gallery Offsite Woven Chronicle 2015 circuit boards, speakers, electrical wires and fittings 10 min Single Channel Audio The flows and movements of travellers, migrants, labour across the world have produced major social and economic implications as well as new forms of cultural exchange. It has not only allowed us to free culturalRead More »Woven Chronicle, 2015

Echoes, 2015

Installation view, G. Talwatkar Marg, Mumbai Supported by Asia Art Projects Echoes 2015 painted text on the street 264 x 168 in. I 671 x 427 cm

Saline Notations, 2015

Saline Notations 2015 digital prints on Hahnemuhle Photorag archival paper 28 x 28 in. I 71 x 71 cm. each (set of 4 prints) edition 5 + AP Reena Kallat, has been working with salt in various contexts, occasionally within her sculptural practice as metaphor for sustenance but also to write transient texts on theRead More »Saline Notations, 2015